One problem with the “Old Nollywood versus New Nollywood” argument is that it starts the history too late. Nollywood did not begin with Livi

We live in a time where the tools of filmmaking have become more accessible than ever. You don’t necessarily need a million-naira camera, a

One of the biggest misconceptions in Nollywood is that royalties are some kind of bonus, a lucky outcome when a film performs well. That idea is fundamentally flawed. In structured industries, royalties (or residuals) are not rewards, they are pre-designed financial outcomes built into contracts, enforced by institutions, and backed by law.