One problem with the “Old Nollywood versus New Nollywood” argument is that it starts the history too late. Nollywood did not begin with Livi

Let's be honest about what Nollywood actually was before anyone dared call it an industry worth billions. It was a N150 VCD from the man at

Here's the uncomfortable structural truth underneath all of this: Nollywood, as it currently operates, has no real mechanism for measuring an actor's growth, so it has quietly substituted something easier to measure instead, reliability. Can this person deliver the same performance, on time, without drama, in a way the audience has already proven it will pay for?

Acting and content creation are often grouped together because both involve performance, but they are designed for entirely different ecosys